Sydney Design Week celebrates a moment of culture
“The entire space is streaked with fluoro tape, like the position marks on a film set or a crime scene,” Elizabeth explains. “I want this installation to be really pop, to indicate to the public the excitement, the novelty and the aesthetic thrill of the work.”
Several creators | Eddy Multi Space, Central Station
In just over 18 months of existence, Oigall Projects of Melbourne has developed a recognizable aesthetic that revolves around the beauty of imperfection, exaggerated gestures and respect for process. For Sydney Design Week, Oigall directors Mitchell Zurek and Andy Kelly gathered six of their peers, hired a van and drove 800 kilometers to unveil their work in an exciting new creative district – the Eddy Avenue Galleries in the basement from the central station.
Given that the new Eddy Multi Space doesn’t officially open until October 20, “Sydney Design Week is the frontrunner,” says Barrie Barton of urban strategy consultants Right Angle, who worked with Transport for NSW to transform the long dormant space into a venue for creative events. Sydney designer Henry Wilson is rolling the gauntlet with a new Offset lamp carved from a single piece of Arabescato marble to ward off the push from the Melbourne team.
Organized by Emma Elizabeth | Eddy Multi Space, Central Station
For the satellite of her Powerhouse installation, Elizabeth invited another group of local designers – including Annalisa Ferraris, Marcus Piper, Kate Banazi, Luke Storrier and Sarah Ellison – to showcase their work in the Eddy Multi Space’s second gallery.
“It’s about working hand-in-hand with designers to create unique pieces that collectively create an impactful stylistic vignette,” she says.
Play in the clay
With ceramicist Karen Black | Search for Ace Hotel
Curated by Ace Hotel interior designer David Flack, this is no ordinary workshop. Instead, Ace will have several tons of clay dumped in the driveway behind the hotel, for people of all ages and skill levels to get their hands dirty alongside famed ceramist Karen Black, others clay artists and a range of other creative designers. the fields.
“Design and art can sometimes feel exclusive,” says Flack. “However, great design happens every day, when humans come together to play, bond and engage.”
Entrants can take their work home or leave it to be part of a cumulative exhibition along the walls of Ace’s Good Chemistry Café, which opens directly onto Foy Lane.
CreatorDon Cameron | Sally Dan Cuthbert Gallery, Rushcutters Bay
Filmmaker-turned-importer and interior designer Don Cameron’s first full collection of furniture evokes the kind of brutalist structures he spent two decades photographing after graduating from Central Saint Martins College in London at the turn of the millennium.
Like those bunkers, monuments and churches, the heavy sofas, tables and lamps are designed to impress but then, almost paradoxically, disappear into their landscape – at first sight intimidating, at second blending into their surroundings with supreme ease. . The sofas are spectacular: modular steel blocks polished to a semi-gloss topped with lush suede cushions.
Designer Nipa Doshi | Power Plant, Ultimo
Mumbai-born, London-based designer Nipa Doshi – one half of acclaimed design studio Doshi Levien – is a creative powerhouse and keynote speaker at Sydney Design Week.
Doshi recalls a childhood played against the pastel-hued architecture and jewel-hued sarees of Mumbai, the paper factory opposite his family’s art deco home, the humble chaiwala (tea seller) on the corner, the milkman who kept his buffalo in a nearby shed.
“And so, my idea of beauty was formed from an early age,” she says. “It involves a sort of layering of architecture, color, texture, manufacturing and enterprise – all happening at the same time in a cacophonous yet incredibly compelling way.”
She might as well describe the brand she created with her Scottish husband, Jonathan Levien, just as they graduated from the Royal Academy in London in 2000.
Today, Doshi Levien Studio designs furniture, homewares and lighting for some of the world’s most exciting brands, including Moroso, B&B Italia and Kettel. Their work runs the gamut from limited edition and handcrafted to industrial mass production, making Doshi the perfect spokesperson for now.
“Our process isn’t necessarily something we work out,” she says. “Or, at least, for us, it’s sort of part of our own stories.”
She will be in conversation with Stephen Todd at the Powerhouse on September 18 at 2 p.m.
Stephen Todd is the Creative Director of Sydney Design Week.